This is a review of the Seagram corporate art collection installed in Ralph Erskine's Ark building that includes a work of Ian Hamilton Finlay, "Sea Flower." -- Source of annotation: Marvin or Ruth Sackner.

This is a review of the Seagram corporate art collection installed in Ralph Erskine's Ark building that includes a work of Ian Hamilton Finlay, "Sea Flower." -- Source of annotation: Marvin or Ruth Sackner.

This article describing The Midland Group Gallery in Nottingham specifically relates to an exhibition of concrete poetry, the catalog of which is contained in the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This review of Personal Choice: Selections from Four Alumni Collections states that "the Sackner section, installed on the second floor of the ICA, is the most intellectually challenging part of the show." -- Source of annotation: Marvin or Ruth Sackner.

Review of the ICA exhibition "Personal Choice: Selections from Four Penn Alumni Collections" at the University of Pennsylvania in which the Sackner Archive participated. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive lent unique pages from the first revised edition of "A Humument" by Tom Phillips to this exhibition at UC San Diego's Mandeville Gallery. -- Source of annotation: Marvin or Ruth Sackner.

This is a review of a photographic exhibition of Ian Hamilton Finlay's garden in Little Sparta at the Portrait Gallery. The reviewer describes the garden as arguably one of the great art works of art ever made on Scottish soil. "Certainly, it's the greatest ever made of Scottish soil - the realisation of one man's vision of a classical garden in the midst of an untamed land." -- Source of annotation: Marvin or Ruth Sackner.

Article describes the St. Just Vigilantes' defense of Ian Hamilton Finlay after the French government cancelled his commission stating that the artist was "inspired by Nazism." -- Source of annotation: Marvin or Ruth Sackner.

Review of Finlay's exhibitions at Deictorhallen, Hamburg and Victoria Miro Gallery, London on the occasion of Finlay's 70th birthday. -- Source of annotation: Marvin or Ruth Sackner.

Review of "Between Poetry and Painting" at the ICA in London. Lucie-Smith states "Concrete poetry is difficult to describe but easy to recognize." Stored with other material about this exhibition. Stored with material dealing with the Archive of "Between Poetry and Painting." -- Source of annotation: Marvin or Ruth Sackner.

Review of an exhibition of garden sculptures executed by Finlay at Stockwood Craft Museum and Gardens, Bedfordshire, England. -- Source of annotation: Marvin or Ruth Sackner.

This is a review of "Personal Choice: Selections from Four Penn Alumni Collections" at the ICA at the University of Pennsylvania in which selections from the Sackner Archive were included. -- Source of annotation: Marvin or Ruth Sackner.