This is a proposal for a Shopping Centre, The Gyle - Edinburgh. -- Source of annotation: Marvin or Ruth Sackner.

Colin Sackett printed this book. Thomas A. Clark provided a critical essay entitled "Landscape under the Stars" in which he indicates that Finlay rewrites Gomringer's "5 mal 1 konstellation" by substituting words from the pre-Raphaelite poet, Christina Rossetti. -- Source of annotation: Marvin or Ruth Sackner.

The linocut abstract illustrations were made by Zeljko Kujundzic. -- Source of annotation: Marvin or Ruth Sackner.

The linocut abstract illustrations were made by Zeljko Kujundzic. -- Source of annotation: Marvin or Ruth Sackner.

The images are photographs of ships. -- Source of annotation: Marvin or Ruth Sackner.

The images are photographs of ships. -- Source of annotation: Marvin or Ruth Sackner.

The manuscript is a typed version of the booklet. The first two additional stapled pages provide instructions to the Stellar Press as to its layout. Another two pages give instructions on revisions to the layout after Finlay's receipt of the first proof copy. The layout was modified from an earlier booklet "A Pretty Kettle of Fish" (1974) to demonstrate it to the printer, viz., a cover drawing indicates the desired placement of the cover photograph and the title typeface. Finlay also furnishes drawings for the inside photographic layout. -- Source of annotation: Marvin or Ruth Sackner.

A single word on facing pages in different size typeface signifies distances for the object on viewing them as a landscape. -- Source of annotation: Marvin or Ruth Sackner.

The poem consists of an array of names for Scottish fishing ships presumably arranged while anchored and fishing. -- Source of annotation: Marvin or Ruth Sackner.

The edition includes 1000 copies in paper wrappers, 200 copies numbered and signed by Finlay and 26 copies handbound in boards by Earle Gray lettered and signed by Finlay. Contains a collection of previously published concrete poems and seven sundial drawings. Stephen Bann contributes an afterword of seven pages. In it, he describes Finlay's widespread usage of metaphor and calls attention to his current work based upon Classicism and Symbolism. -- Source of annotation: Marvin or Ruth Sackner.

The edition includes 1000 copies in paper wrappers, 200 copies numbered and signed by Finlay and 26 copies handbound in boards by Earle Gray lettered and signed by Finlay. Consists of a collection of previously published concrete poems and seven sundial drawings. Stephen Bann contributes an afterword of seven pages. In it, he describes Finlay's widespread usage of metaphor and calls attention to his current work based upon Classicism and Symbolism. -- Source of annotation: Marvin or Ruth Sackner.

The edition includes 1000 copies in paper wrappers, 200 copies numbered and signed by Finlay and 26 copies handbound in boards by Earle Gray lettered and signed by Finlay. Consists of a collection of previously published concrete poems and seven sundial drawings. Stephen Bann contributes an afterword of seven pages. In it, he describes Finlay's widespread usage of metaphor and calls attention to his current work based upon Classicism and Symbolism. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition dealt with Finlay's sculptural objects. A work entitles "Rock Rose" that consisted of a concrete bowl filled with fishing net is reminiscent of Finlay's net collage in Furnival's book, Liber Amicorum 1964-1985 (4), a work held by the Sackner Archive. Stephen Bann contributed a critical introduction to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

The poems in this booket were composed in the style (as attributed by Finlay) to Gomringer, Aram Saroyan, Gael Turnbull and Lochac. -- Source of annotation: Marvin or Ruth Sackner.

Cover is missing but pages are intact. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue deals with poetry and literary ephemera (A-L). The folder/cover depicts an offset image of eye patterns. -- Source of annotation: Marvin or Ruth Sackner.

The card prints the names of Scottish fishing ships that end in "star." The names are printed in blue and arranged and tilted to be analagous to stars in the sky. The word 'pole" is printed on the two closed borders and the word 'night' is printed on the opened borders. -- Source of annotation: Marvin or Ruth Sackner.