This archve includes manuscripts of Finlay'a book as wella as a lettle of critique from Robert Lax himself. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition explores how the accordion fold has been used in the West within a variety of different printed matter contexts with a special emphasis on publications produced by artists from the 1960s onwards. -- Source of annotation: Marvin or Ruth Sackner.

Contains reproductions of T. Phillips' "The Heart of the Humument" and "A Humument." -- Source of annotation: Marvin or Ruth Sackner.

The writer describes the scene at the London Artists' Book Fair at the Barbican Centre in November 1997. He stresses the increased appreciated value of artist books, particularly those done by Ian Hamilton Finlay and Bob Cobbing. Writing about Cobbing, he mentions that "His Domestic Ambient Noise" series, in collaboration with the visual poet Lawrence Upton, has run to 157 editions in the past three years. Their cost is 1 pound each or four for 5 pounds. Winsor states that "A rich collector in Miami [Marvin Sackner not identified!] and two assiduous London collectors have all 157." -- Source of annotation: Marvin or Ruth Sackner.

David Gray's letter to Marvin Sackner offers the Coracle Press printed archive from 1974 to the present for sale to the Sackners. This material was subsequently acquired by the Getty Center for the History of Arts and the Humanities. -- Source of annotation: Marvin or Ruth Sackner.

This is a very well illustrated catalogue of exhibition announcements and posters. Descriptions are often referenced to the Sackner Archive catalogue of 1984. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue lists multiples. -- Source of annotation: Marvin or Ruth Sackner.