This photograph depicts a portrait of Grey's wife, Cozette de Charmoy. -- Source of annotation: Marvin or Ruth Sackner.

This detail of a large painting consists of rubberstampings of the names of contemporary artists and poets utilizing concrete and visual poetry or language in their visual works. -- Source of annotation: Marvin or Ruth Sackner.

Seille writes the Sackners that she was very happy to receive the photographs of her work hung on the wall of the Sackner house. She also indicated that Cozette de Charmoy and she plan to collaborate on a book project. -- Source of annotation: Marvin or Ruth Sackner.

The loose sheets are announcements for an exhibition titled "Le Premier Oeuf" at Galerie Sema, Paris. The envelope was addressed to Marvin Sackner. -- Source of annotation: Marvin or Ruth Sackner.

This is a critical review of the artist book of undersea photographs by Busonero with the poetic collaboration by de Charmoy; the work is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Depicts de Charmoy and William Burroughs with a de Charmoy drawing, entitled "Taliocotius" in the background. -- Source of annotation: Marvin or Ruth Sackner.

This print on canvas is a reproduction of a rubberstamped drawing on canvas by de Charmoy from 1994-1995 that was lost when the artist moved her studio. It consists of the names of visual poets and artists who were important to de Charmoy. The names are rubberstamped in blue in an irregular pattern falling from abstract blue, undulating painted marks at the top of the canvas. -- Source of annotation: Marvin or Ruth Sackner.

The catalogue consists of a single page pop-up with statements about artists books. -- Source of annotation: Marvin or Ruth Sackner.