This print depicts two of cobbing's prints and was presumably distributed as an announcement. -- Source of annotation: Marvin or Ruth Sackner.

Cobbing created repeticious text variations on the title "Beethoven Today" by forming poems in either a circular or quadrangular arrangement. The pages have yellow and orange color -- Source of annotation: Marvin or Ruth Sackner.

Cobbing created tautologic variations on the title "Beethoven Today" by forming poems in either a circular or quadrangular arrangement. Al the pages are printed on white paper stock. -- Source of annotation: Marvin or Ruth Sackner.

This book includes poems of cut-ups begun in 1956. The method was to decide on the number of lines, clip out newspaper lines of the required number, and paste them up in an effective order to give an appearance of a conventional poem. This work antedates Gysin's 1959 cut-ups, usually attributed as the first to employ it. This book also includes cut-ups of earlier cut-ups, and permutations or mutations based on newspaper headlines but originating from phrases clipped from books. -- Source of annotation: Marvin or Ruth Sackner.

This piece is present in the recording (33rpm) also held by the Sackner Archive entitled "Experiments in Disintegrating Language: Konkrete Canticle" (1971). In the recording the title Has been changed to Ga(il)o(ng). Work was previously stored in binder as a typwriter piece. -- Source of annotation: Marvin or Ruth Sackner.

One copy has a green acetate cover, the other a blue one. -- Source of annotation: Marvin or Ruth Sackner.

Designated Card Seies No.9. -- Source of annotation: Marvin or Ruth Sackner.

Two copies have white covers and one a blue cover. -- Source of annotation: Marvin or Ruth Sackner.