Scope and Contents

Bentivoglio provided an introductory essay to this catalogue that featured solely women artists and poets. Amelia Etlinger contributed a typewriter poem. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Designated Wallet Number Three. Includes the following pamphlets: 11) Bettina Adler: eIghT FIGURES, 12) Allen Fisher: SSSSPEECH, 13) Allen Fisher: Atherapy studies group docket Q, 14) Jennifer Pike: Water Works, 15) Betty Radin: Masks, 16) Bill Griffiths, Bob Cobbing & Paula Claire: Gin Chap, 17) Paula Claire: Circuits, 18) Lawrence Upton: Loops, 19) Keith Musgrove: Tests and 20) Alison Bielski: Mobiles. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The prints making up this catalogue were those that were displayed as the exhibition. They were reproduced from prior publications. Several originals by Dom Sylvester Houedard, Peter Mayer, Jeff Nuttall, and Tom Phillips from this exhibition are held by the Sackner Archive. There was no bound catalogue published on this exhibition. Therefore, the totality of this catalogue is unique. The work is an excellent reference for the examples of concrete and poetry done in the 60's and 70's. Edith Kalman did three micrographic calligraphic prints that have been scanned into this citation. The pamphlet lists the location of the works displayed. The prints comprising the exhibition are stored in their own box withing the cobbing matrial. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This exhibition was curated by Adriano Spatola and Giovanni Fontana. It is extensively illustrated with examples of concrete and visual poetry and also depicts covers of small magazines published in this field. It provides the largest listing of contemporaneous concrete and visual poets working throughout the world. There is also a section on record jackets of sound poetry recordings. Niccolai and Spatola provide an introductory essay into concrete and visual poetry as follows: "The formulas "concrete" poetry and "visual" poetry are the most widepread in the world but they are only the tip of an iceberg up of at least a hundred definitions, for example: evident poetry, elementary poetry, gestural poetry, symbiotic poetry, ideographic poetry, spatial poetry, artificial poetry, casual poetry and so on. But to simplify matters, in writing this present statement, we will keep ourselves to the trade mark concreto & visuale. This exhibition is both a hypothesis of research and a...

Scope and Contents This exhibition was curated by Adriano Spatola and Giovanni Fontana. It is extensively illustrated with examples of concrete and visual poetry and also depicts covers of small magazines published in this field. It provides the largest listing of contemporaneous concrete and visual poets working throughout the world. There is also a section on record jackets of sound poetry recordings. Niccolai and Spatola provide an introductory essay into concrete and visual poetry as follows: "The formulas "concrete" poetry and "visual" poetry are the most widepread in the world but they are only the tip of an iceberg up of at least a hundred definitions, for example: evident poetry, elementary poetry, gestural poetry, symbiotic poetry, ideographic poetry, spatial poetry, artificial poetry, casual poetry and so on. But to simplify matters, in writing this present statement, we will keep ourselves to the trade mark concreto & visuale. This exhibition is both a hypothesis of research and a...

Scope and Contents

Curated by Fernando Aguiar. Works reproduced in catalog by Cesar Figueiredo held by Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.