Curated by Edouard and Jean-Jacques Lebel, the artworks are based on the famous images of Duchamp. -- Source of annotation: Marvin or Ruth Sackner.

There is a section of this book that consists of visual and concrete poems that are reproduced as photocopied black and white images. -- Source of annotation: Marvin or Ruth Sackner.

Takako Hasekura contributed an essay in which she defined visual poetry. -- Source of annotation: Marvin or Ruth Sackner.

This companion catalogue to "Mallarme et les siens" includes several books that are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The editor of this volume, Jean-Francois Bory, provides an introductory essay on the artist and cartoonist Jean-Louis Forain. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue consists of French art/poetry lent by the Sackner Archive to a Bass museum exhibition on Miami Beach. -- Source of annotation: Marvin or Ruth Sackner.

This is an in-depth critical review of six French concrete and visual poets. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue traces the productions, exhibitions and publications of Ecart. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition included the works of Dufrene, Aubertin, Blaine, Chopin, Dupuy, Hains, Heidsieck, Kolar, Mendonca, and Pelieu. In the section on Joel Hubaut, it is mentioned that an installation was prepared for "The Beauty in Breathing," an exhibition from the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This book describes an exhibition and a symposium that included sound poetry, which was held in Venice in June 1972. The critic, Rossana Apicella, mentions, "Let us hope, si licet, that visual poetry will not meet with rapid success, that it will remain immediate, violent, mad and popular, erudite and authentically experimental; there is a risk, otherwise, that according to the logic of human destiny it will get up to a dangerous pedestal." -- Source of annotation: Marvin or Ruth Sackner.

Bory wrote the introductory essay. -- Source of annotation: Marvin or Ruth Sackner.

Cluver contributed an essay, "On Representation in Concrete and Semiotic Poetry." Eric Vos wrote about "Visual Literature and Semiotic Conventions." Eduardo Kac's wrote on "Holopoetry and Hyperpoetry." Charlotte Schoell-Glas contributed "The Medium is the Message: Ian Hamilton Finlay's Garden Little Sparta,"an essay that reviewed the political side of Finlay's work. David Scott described the postage stamps of Donald Evans in "Semiotics and Ideology in Mixed Messages: The Postage Stamp."Cluver focuses on the word, "Ekphrasis" defined by some as "the verbal representation of graphic representation." -- Source of annotation: Marvin or Ruth Sackner.

Contains essay by Alain Borer "Jean-Francois Bory L'Anachiviste." -- Source of annotation: Marvin or Ruth Sackner.

Contains essay by Alain Borer "Jean-Francois Bory L'Anarchiviste." -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was curated by Peter Frank. The Sackner Archive lent 12 pages of the "First Revised Edition of A Humument" to the exhibition. The catalogue includes essays by Arias-Misson, Frank, Miccini, and Sarenco as well as a chronology dealing with visual poetry. -- Source of annotation: Marvin or Ruth Sackner.