There are only four cards in this item although the title calls for five cards. They are entitled Texto I, III, IV and VI. -- Source of annotation: Marvin or Ruth Sackner.

This issue consist of reproductions of Padin's Textos and Signografias 1967-1970. The Sackner Archive holds all the Signografias reproduced in this issue and in addition No. 5, 6, 10, 11, and 12, The Sackner Archive is missing No. 6 and 12 of Textos reproduced in this issue but holds No. 6a, 13a, 15c, 17 b, 19a and 19b that are not reproduced. Stored in box of Clemente Padin material. -- Source of annotation: Marvin or Ruth Sackner.

The text traces the literary history of concrete poetry from Apollinaire, Mallarme, Schwitters, the Russian poets and the Italian Futurists to the beginnings of the movement in Brazil with Augusto de Campos and in Switzerland with Gomringer. Samples of classical concrete and neoconcrete poems are printed. Process and mathematical poetry are described. ... -- Source of annotation: Marvin or Ruth Sackner.

This book depicts representative concrete poems of Latin American writers. -- Source of annotation: Marvin or Ruth Sackner.

This leaflet was taken from the Archive of O!!Zone 1997. Stored in Padin box. -- Source of annotation: Marvin or Ruth Sackner.

Includes a reprint of Ovum 10 No.2, 1970, an issue held in the original by the Sackner Archive. Several of Padin's Signografias and Textos that are reproduced in this book are held by the Sackner Archive as the original drawings. -- Source of annotation: Marvin or Ruth Sackner.

The Sackners' exhibition catalogue, The Beauty in Breathing, was displayed in this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

A reproduction of this drawing is depicted in Clemente Padin's "Signografias Y Textos 1967 - 1970" (1970). An image different from the drawing is depicted in Clemente Padin's "Visual Poems 1967-1970" (1990). -- Source of annotation: Marvin or Ruth Sackner.

A reproduction of this drawing is depicted in Clemente Padin's "Signografias Y Textos 1967 - 1970" (1970) and in Clemente Padin's "Visual Poems 1967-1970" (1990). Neither Signigrafia III nor IV are depicted in either book. The drawing is printed upside down in Visual Poems 1967-1970 (1990). -- Source of annotation: Marvin or Ruth Sackner.

A reproduction of this drawing is depicted in Clemente Padin's "Signografias Y Textos 1967 - 1970" (1970) and in Clemente Padin's "Visual Poems 1967-1970" (1990). The drawing is printed upside down in Visual Poems 1967-1970 (1990). -- Source of annotation: Marvin or Ruth Sackner.

A reproduction of this drawing is depicted in Clemente Padin's "Signografias Y Textos 1967 - 1970" (1970) but not in Clemente Padin's "Visual Poems 1967-1970" (1990). A line drawing sketch for a Signografia drawing is present on the verso of this drawing. The drawing is also reproduced as stencilled black ink letters on orange stock paper in Hexagono '71 No.ab. -- Source of annotation: Marvin or Ruth Sackner.

This is the first publication of a book that was later pubished in 1990 by Xexoxial Editions as Visual Poems. Several of the original poems depicted in this book are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This leaflet was taken from the Archive of O!!Zone 1997. Stored in Padin box. -- Source of annotation: Marvin or Ruth Sackner.

A reproduction of this drawing is depicted in Clemente Padin's "Signografias Y Textos 1967 - 1970" (1970) and in Clemente Padin's "Visual Poems 1967-1970" (1990). -- Source of annotation: Marvin or Ruth Sackner.

A reproduction of this drawing is depicted in Clemente Padin's "Signografias Y Textos 1967 - 1970" (1970) and in Clemente Padin's "Visual Poems 1967-1970" (1990). -- Source of annotation: Marvin or Ruth Sackner.

This image was selected by Guillermo Deisler for his portfolio, "poesia visiva en el mundo" (1974). The whereabout of the original drawing is unknown. -- Source of annotation: Marvin or Ruth Sackner.