In the introduction, Studley writes, "...each designer chose a short passage from Cage's selected writings containing the composer's views on music. Each selection was then studied for possibilities of wordplay, subrosa meaning, graphic and musical n visual and aural texture, white spaces as examples of tacit in music, intonation and cacophony of sound. Solutions are based on the individual's 'reading' of the text but shaped as a typographer would arrange letters, words, spaces on a page..." -- Source of annotation: Marvin or Ruth Sackner.

The numbering of this publication did not follow the order of the others owing to an addition to the original listing by the press. This is the second book dealing with Wittgenstein's theories by the press - see No.12, 1994. -- Source of annotation: Marvin or Ruth Sackner.

On each page, the student has rendered a typographic composition within a rectangle, 10.2 cm x 7.2 cm (and sometimes overflowing outside these limits). -- Source of annotation: Marvin or Ruth Sackner.

This collection of prints, done in black, printed, typefaces of varied dimensions, was a student project. The instructor for the class was Vance Studley. The writings were excerpted from Ray Bradbury's stories. A chronologic numbering system for this publication has been adopted by the Sackner Archive; no numbering system has been used by the Archetype Press. Alice Vaughn made the bookbindings for the issues through 2009. -- Source of annotation: Marvin or Ruth Sackner.