At this exhibition, three catalogues were published and enclosed within a single slipcase. The first book that depicts the print, "Marine" on its cover, is apparently a reprinting of a catalogue laid out by Hansjorg Mayer which originated at the Kunsthalle Basel in 1990. It contains an introductory essay by Thomas Kellein. It features reproductions of publications by Finlay's Wild Hawthorn Press as well as photographic views of Stoneypath. The second book that depicts the print, "star steer" on its cover, features Finlay's stone, glass, and neon sculptures. It contains critical essays by Peter Weiermair and Stephen Bann. The third book is a biobibliography in English compiled by Pia Simig. -- Source of annotation: Marvin or Ruth Sackner.

The two exhibition catalogues are identical except for the sites and date of the exhibitions. -- Source of annotation: Marvin or Ruth Sackner.

Although this international exhibition was designated as visual poetry, all the examples depicted in the catalogue are concrete poems. Frederick Heckmanns and Peter Weiermair provided introductory essays to the catalogue. -- Source of annotation: Marvin or Ruth Sackner.