Scope and Contents

This poster depictsa b&w photograph of wall a onto which has been written graffeti. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Amazon.com: This book documents a short but intense artistic experiment that took place in Yugoslavia fifty years ago but has been influential far beyond that time and place: the "little-known story" of the advent of computers in art. It was through the activities of the New Tendencies movement, begun in Zagreb in 1961, and its supporting institution the Galerija suvremene umjetnosti that the "thinking machine" was adopted as an artistic tool and medium. Pursuing the idea of "art as visual research," the New Tendencies movement proceeded along a path that led from Concrete and Constructivist art, Op art, and Kinetic art to computer-generated graphics, film, and sculpture. With their exhibitions and conferences and the 1968 launch of the multilingual, groundbreaking magazine Bit International, the New Tendencies transformed Zagreb"”already one of the most vibrant artistic centers in Yugoslavia"”into an international meeting place where artists, engineers, and scientists from both...

Scope and Contents

This is a definitive catalogue of the wiener gruppe. A section toward the end of the book depicts artworks by the group to subsequent artworks done by the international art community suggesting their widespread influence. The original typings of two Achleitner's poetry suites are held by the Sackner Archive (one of o i studie typings depicted in this record).. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is a definitive catalogue of the wiener gruppe. A section toward the end of the book depicts artworks by the group to subsequent artworks done by the international art community suggesting their widespread influence. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Amazon.com: Typemotion looks at a variety of artistic productions in which type is animated--from feature films and advertising to artworks and music videos--with examples from 20 countries dating from 1895 to the present. Tracing the transition from analogue to digital treatments of type, it provides insights into larger cultural and media developments, while also speculating on the future of animated type, particularly in the realm of interactive media. Among the extraordinary range of cross-disciplinary contributors to this volume are John Baldessari, Saul Bass, Stan Brakhage, Marcel Broodthaers, Dellbrugge & de Moll, Marcel Duchamp, Sergei Eisenstein, Expanded Gramophone Project, Hollis Frampton, Terry Gilliam, Jenny Holzer, Isidore Isou, Eduardo Kac, Ferdinand Kriwet, Fritz Lang, Maurice Lemaitre, Len Lye, David Lynch, Gaspar Noe, Tony Oursler, Phenomena, Dieter Roth, Gerhard Ruhm, Paul Sharits, Super Swap Sweden, Timm Ulrichs, Stan Vanderbeek, Johannes Vogt, Paul Wegener...

Scope and Contents

This collection of material was originally developed at the Werkstatt Workshop and Gallery in 1968. Other titles that this item might have are "dokumentation 68" and "2 dokumentation 2." Another copy of this item can be found in "Werkstatt Breitenbrunn: Druck Materialen, 1970-1978," also held within the Sackner Archive.

Scope and Contents Consists of printed documentation of the activities of the Breitenbrunn group of artist/poets. Includes issues No.2 and 4 of this periodical. The large folded posters are listed as a series entitled Blatt (1-15); these deal with exhibition announcements and printed discussions and/or reproductions of their works. For example, the poster, entitled Blatt 4 has a discussion and examples of the typewriter works by Klaus Basset and a header that it was edited by Wil Frenken & Fria Elfin. Another copy of this poster is also held by the Sackner Archive. Typewriter works by Basset were an early acquisition by the Sackner Archive (1978). Issue No.2, 1968 consists of unbound pages of documentation and four signed prints by Will Frenken, Josef Hermann Steigler, H Hendrich. and Marc Adrian enclosed within a paper envelope. Issue No.4, 1974 consists of a paper envelope. It has four folded photographic posters documenting activities of the group including Timm Ulrichs. A photographic...