Scope and Contents Various paper stocks were used for the prints, viz., Centurian, Ferndown, Fibrex, Flexicover, Kendal and Soho cover boards, All British Cartridge, Astralux cast coated boards, and clear Acetate. According to Diane Kirpatrick (Eduardo Paolozzi, New York Graphic Society, 1969), the work was conceived as a giant file of text and image collages from the artist's voluminous collection. Each viewer is invited to 'edit' the book by experimenting with various arrangements of the sheets in the box. Paolozzi was concerned in this book between the relationship of Kitsch to technology. The color combinations of the inks are elegant with prodigious use of gold, silver, and copper metal inks. The moulded plexiglas box has a Dayglo pink color (other copies had this color or bright yellow or bright green). The images include movie stills and strips, There are several prints that include scientific, industrial, weather, and news photography. Images include graphs, advertisements, art...

Scope and Contents

Crombie has adapted the concluding dictum of Wittgenstein's "Tractacus Logico-Philosophica" (1991) aim to stretch the logic of the inability to speak into this artist book of language art printed on various colored paper stocks. -- Source of annotation: Marvin or Ruth Sackner.