Edited by Henry Martin. -- Source of annotation: Marvin or Ruth Sackner.

The catalogue descibes the site-specific, permanent collection of installation pieces at this museum that the Sackners visited during a trip to the Chateau country of France. The collection takes its inspiration from the 16th century cabinets of curiosities in which royalty and the learned men of the time would assemble collections of artifacts and natural objects. Ian Hamilton Finlay's installation was a sculptural work dealing with the battle of Midway. -- Source of annotation: Marvin or Ruth Sackner.

Using drawings by Charles Le Brun from 1670 as a background, Spoerri added found objects to the surface. The drawings are of animals and masculine heads which resemble those animals. The found objects are the same animals. The pamphlet contains a critical text by Spoerri. Jurgen Olbrich was responsible for the conception of this catalogue and exhibition. -- Source of annotation: Marvin or Ruth Sackner.

This is one of two components of the maquette for the poster, "Les Tetines Noires." This is the collage element for printing the poster. -- Source of annotation: Marvin or Ruth Sackner.

This was one of three catalogues published during an exhibition entitled, Modifications: Baj, Jorn, Spoerri. The pictures that are reproduced in this catalogue are realistic paintings that have been altered by Spoerri through collaged additions. -- Source of annotation: Marvin or Ruth Sackner.

The images on the cards consist of b&w photographs superimposed drawings as well as collaged with photographs of human body parts probablu done by Topor. Stored in Topor box. -- Source of annotation: Marvin or Ruth Sackner.

This is a listing of works with prices. -- Source of annotation: Marvin or Ruth Sackner.