From the top of this poem to the bottom, curry creates progressive disintegration of the hand printed "word" to the written "word" to illegible calligraphic markings to abstract markings. -- Source of annotation: Marvin or Ruth Sackner.

This is the another version of this poem that was also written in 1979. Both versions are held by the Sackner Archive. In a vertical format, the word, "word" is first printed, then written, then scrawled, and finally rendered illegible as the handwriting progressively disintegrates. -- Source of annotation: Marvin or Ruth Sackner.

The cover was designed by jw curry. -- Source of annotation: Marvin or Ruth Sackner.

This collection was placed on indefinite loan to the Library of Rewley House, Oxford University Department for External Studies. Each citation carries a brief annotation. The collection includes catalogues from the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Consists of a transcription of a 90 minute interview by Hubsch of jw curry. The cover photoportrait of curry was taken by Lance LaRoque. -- Source of annotation: Marvin or Ruth Sackner.

curry's book published by Utopic Furnace Press was appropriated from a chapter in a children's book. -- Source of annotation: Marvin or Ruth Sackner.

The labia contort was published in Curvd H&Z No.3, 1979, after having been rejected for Jim Smith's The Front. -- Source of annotation: Marvin or Ruth Sackner.

This was subsequently published in Curvd H&Z No.309, 1985. -- Source of annotation: Marvin or Ruth Sackner.

This is an unpublished manuscript. -- Source of annotation: Marvin or Ruth Sackner.

These poems that were rejected for Curvd H&Z No.301, 1984, were retyped by curry. -- Source of annotation: Marvin or Ruth Sackner.

This was the drawing for the silkscreened print inserted into Devil's Artisan No.16, 1985. -- Source of annotation: Marvin or Ruth Sackner.

Other volumes in sinillogical translations include Volume 1: Coma Goats Press, 1983; Volume 2: Curvd H&Z, 1984; Volume 3: Utopic Furnace Press, 1985; Xerox Sutra Editions, 1985; Volume 5: Guardian Angel Press, 1986; Volume 7: Letters, 1986. -- Source of annotation: Marvin or Ruth Sackner.

The content relates to the art of the spectacle and the magazine dealt with Frank Zappa. -- Source of annotation: Marvin or Ruth Sackner.

The text of this book was printed from individual rubberstamp letters. The bibliography consists of a description and excerpts of small run, non-circulated editions. -- Source of annotation: Marvin or Ruth Sackner.

This is the revised drawing for the work; the original is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive holds the original drawing of this work. -- Source of annotation: Marvin or Ruth Sackner.