The clear acetate prints depict stylized overlay versions of the letter 'H' and are reminiscent of the letter pictures made by bp Nichol. -- Source of annotation: Marvin or Ruth Sackner.

The images on the pages is a study in orthographic mutation. In a letter to the Sackners, curry indicates that the book is in fine shape except for "a coupla small cannabis resin stains on 2 pp (where yr thumb would go)... -- Source of annotation: Marvin or Ruth Sackner.

This book done as a palimpset on variations of the letters "I" & "H" was probably influenced by bp Nichol's experimental letter pictures. A written note on the cover to curry himself from his pseudonym, Mrs. Amuseus, states "nice effect, John, but you've failed to take into account the inadequacies of your materials. Conceptually strong but physically lacking." -- Source of annotation: Marvin or Ruth Sackner.

This card was published as Curvd H&Z No.263, 1983. -- Source of annotation: Marvin or Ruth Sackner.

This is the original design later modified for publication as a Guardian Angel Press postcard. -- Source of annotation: Marvin or Ruth Sackner.

In this unpublished photograph, the setting was done by curry, the object by Laba, and the photography by Venright. -- Source of annotation: Marvin or Ruth Sackner.

Most of the material in this book has been published in small press periodicals; a number of pieces have been reworked. This book is designated Outlands four. Includes three pages in homage to the wisdom of d.a. levy and 3 pages reprinted from "twenty bottoms," curry's pornographic book. -- Source of annotation: Marvin or Ruth Sackner.

Most of the material in this book has been published in small press periodicals; a number of pieces have been reworked. This book is designated Outlands four. Includes three pages in homage to the wisdom of d.a. levy. -- Source of annotation: Marvin or Ruth Sackner.

This scrapbook documents an attempt to hitch a freight train from Toronto to Vancouver in order to relive an adventure of 1976-8. The text which was printed entirely with rubberstamping is a tour de force in this media. A series of debacles led the adventurers to a neighborhood just outside Toronto rather than their goal. The collaged elements of the book are photocopied colored handwritten notes and color photographs of the journey. An appendix is provided as a guide to others for such trips. -- Source of annotation: Marvin or Ruth Sackner.

This material constitutes the editorial content of these two issues. -- Source of annotation: Marvin or Ruth Sackner.

This version of the poem is printed on heavy paper. -- Source of annotation: Marvin or Ruth Sackner.

In this newsletter, Curry quotes part of a letter written to him by Marvin Sackner describing a conversation with an art historian regarding the introduction to the exhibition catalog "The Altered Page." "After reading the first sentance, she smiled & said such an essay could never be written by a professional art critic or historian - they would never begin an essay with a statement of purpose (like a scientist) but would lay on some bullshit for a few pages before reaching a point." -- Source of annotation: Marvin or Ruth Sackner.

In this newsletter, Curry quotes part of a letter written to him by Marvin Sackner describing a conversation with a art historian regarding the introduction to the exhibition catalog "The Altered Page." "After reading the first sentance, she smiled & said such an essay could never be written by a professional art critic or historian - they would never begin an essay with a statement of purpose (like a scientist) but would lay on some bullshit for a few pages before reaching a point." The Sackner Archive also holds the Archive for this issue. -- Source of annotation: Marvin or Ruth Sackner.

This material constitutes the editorial content of this issue. -- Source of annotation: Marvin or Ruth Sackner.

This book provides an annotated listing of most of the Curvd H&Z and one cent publications with cross referencing. Almost all editions prior to 1992 are out of print. The edition size of this bibliography is specified as 60 copies but only 27 copies were printed in the first run. -- Source of annotation: Marvin or Ruth Sackner.