A small square is divided by a heavy black, vertical line. On the left are two lines of numbers and two lines of letters in lettraset. On the right are nine lines of handwriting in ink. -- Source of annotation: Marvin or Ruth Sackner.

The drawing is composed with small cursive writing. The shape of the drawing resembles a Henry Moore sculpture. It is depicted in Hatherly's exhibition catalogue "Hand Made" on page 10. -- Source of annotation: Marvin or Ruth Sackner.

The words barely legible, Boas Festas is repeated and overlapped on the recto. -- Source of annotation: Marvin or Ruth Sackner.

The title is written several times in white paint on green paper running from top to bottom. -- Source of annotation: Marvin or Ruth Sackner.

Ana Hatherly's article is titled "Piramides Obeliscos Mausoleus e Lisonjas do Barroco Portugues." The text is illustrated with 14 Baroque pattern poems. -- Source of annotation: Marvin or Ruth Sackner.

Ana Hatherly's article is titled "Enigmas Barrocos Portugueses" -- Source of annotation: Marvin or Ruth Sackner.

The card, covered with cursive handwriting with flourishes, is particularly dense at the upper left and lower right sections. -- Source of annotation: Marvin or Ruth Sackner.

The drawing consists of dense lines of handwriting covering almost the entire page. -- Source of annotation: Marvin or Ruth Sackner.

The shape of the poem/drawing resembles plant-like forms. The text seems to be a series of questions. -- Source of annotation: Marvin or Ruth Sackner.

The drawing consists of four stems with micrographic writing, leaf-like micrographic writing, and a background of calligraphic text. -- Source of annotation: Marvin or Ruth Sackner.

The drawing consists of eight lines of handwriting on groups of stave-like lines. -- Source of annotation: Marvin or Ruth Sackner.