This book describes the nature of artistic collaborations in poetic terms. -- Source of annotation: Marvin or Ruth Sackner.

This book describes the nature of artistic collaborations in poetic terms. -- Source of annotation: Marvin or Ruth Sackner.

The envelope has stencilled lettering. -- Source of annotation: Marvin or Ruth Sackner.

David Cole created this work as a response to the Sackners' visit to his studio followed by dinner in a Chinese restaurant. -- Source of annotation: Marvin or Ruth Sackner.

Cole indicates that this collaborative book was produced by "choosing a theme of dance [and using] selections from our letters as the canvas/stage/dance floor, and from there [letting] all else develop." -- Source of annotation: Marvin or Ruth Sackner.

According to Cole, the book is based upon "24 small, daily artworks recording a humorously scandalized conversation between a rubber stamp of a Nun and a rubber stamp of a Townswoman" mailed to him by Sheril Cunning. -- Source of annotation: Marvin or Ruth Sackner.

Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.

Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.

This documents a project done by Cole involving the placement of large colored letters in a St. Paul, Minnesota park. -- Source of annotation: Marvin or Ruth Sackner.

The theme of each page is a word beginning with para-. -- Source of annotation: Marvin or Ruth Sackner.

Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.

This book is a letraset master piece. Four pages from this book were reproduced in Gamut No.9, 1983, a periodical published by Cleveland State University. This magazine is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue presents work by Ernst from 1971 to the present. The following bookworks held by the Sackner Archive are depicted, 'Eye,' 'Sequencing,' and 'Book of Love.' -- Source of annotation: Marvin or Ruth Sackner.