This booklet was written for a workshop in a grade school class and is a second edition of the book. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Greg Evason. -- Source of annotation: Marvin or Ruth Sackner.

This letter picture might represent an abstract seascape with a ship in the foreground. One of the copies is taken from the Archive of O!!Zone 1997. -- Source of annotation: Marvin or Ruth Sackner.

Greg Evason made cover drawing. -- Source of annotation: Marvin or Ruth Sackner.

One poem is printed on each of the pages except for a few pages with brief commentary.The following text is printed on the back cover. "Literature is the only artform whose organon is already symbolic. Concrete poetry has always been devoted to the breakdown of the assumed symbolism, either to reform a new one or to celebrate raw, lingual materiality for its own sake. While one branch seeks a new understanding of what was always there through this breakdown - most evident in 'found poetry' - and this is called the 'collective branch'; the other, the ideomorphic, seeks to forever push the process into fresh and singular dislocation. Here are three poets with the latter propensity: Haiku-focused LeRoy Gorman with his constuctivist tendencies, the more sculptural Daniel f. Bradley, minimalist panache in tow and cheek and the graphically ham-fisted Marshall Hryciuk, who feels positively didactic next to the other two." -- Source of annotation: Marvin or Ruth Sackner.

Edited by Daniel f. Bradley. -- Source of annotation: Marvin or Ruth Sackner.

Also designated horse-fly Vol.2 No.2. -- Source of annotation: Marvin or Ruth Sackner.

This periodical was launched to publish typewriter poems, defined as follows: "A typewriter poem is a poem, highly visual, which by its nature could not be executed in any other manner except thru the aid of an actual typewriter." The editors admonish potential contributors, "Please do not send us poems typed onto a page. Send us typewriters poemed onto a page." This first issue contains typewiter poems from all its contributors. -- Source of annotation: Marvin or Ruth Sackner.