Metzger, Gustav
Person
Dates
- Existence: 1926-04-10 - 2017-03-01
Found in 4 Collections and/or Records:
all things involved in other things / Bauermeister, Mary ; Stockhausen K ; Paik NJ ; Cage J ; Helms H ; Metzger G ; Patterson B ; Maciunas G., 2004
Item
Identifier: CC-42894-44936
Scope and Contents
This exhibition was mounted on the occasion of Mary Bauermeister's 70th birthday. The label of the compact disc depicts experimental calligraphic text; the disc content consists of film trailers for American recording stars such as Prince and has no relevance to the label. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
2004
Damaged Nature, Auto-Destructive Art, 1995
Item
Identifier: CC-31586-33083
Scope and Contents
Clive Phillpot provides a chronologic biography of Metzger. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1995
Logos and Ikon on Equal Terms/Painting Incorporates Writing / Houedard, Dom Sylvester; Furnival J; Metzger G; Johns J., 1967
Item
Identifier: CC-09692-9885
Scope and Contents
Notes dealing with the relation of words to painting, -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1967
Null Object: Gustave Metzger thinks about nothing, 2012
Item
Identifier: CC-55630-9999234
Scope and Contents
The editors of this volume are Bruce Gilcrist and Jo Joelson of London Fieldworks.Wikipedia: Gustav Metzger (born 1926) is an artist and political activist who developed the concept of Auto-Destructive Art and the Art Strike. Together with John Sharkey, he initiated the Destruction in Art Symposium in 1966. Metzger is recognized for his protests in the political and artistic realms. Metzger was born to Polish-Jewish parents in Nuremberg, Germany in 1926 and came to Britain in 1939 as a refugee under the auspices of the Refugee Children Movement. He has been stateless since the 1940s. It is with an experience of twentieth century society's destructive capabilities that led Metzger to a concentrated 'formulation of what destruction is and what it might be in relation to art.Metzger is known as a leading exponent of the Auto-Destructive Art and the Art Strike movements. He was also active in the Committee of 100 and took part in their early anti-nuclear base campaigns of direct action...
Dates:
2012