The text deals with historic aspects of artist books, concrete poetry, and visual poetry in Italy during the twentieth century with illustrations from the seveties and eighties. The collage is tipped-in to the page facing the title page. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Luciano Caruso and Sonia Puccetti. -- Source of annotation: Marvin or Ruth Sackner.

The loose sheets, which are folded and of varied dimensions, consist of photomontages of images from newspapers and magazines, along with printed and handwritten texts. -- Source of annotation: Marvin or Ruth Sackner.

Each page contains the word "come" in different typographical form relating to the accompanying image. "Come" is the Italian word for reason. -- Source of annotation: Marvin or Ruth Sackner.

This book lists Caruso's publications, exhibitions and unique books over the period 1984-1986. The collage accompanying this book was not part of the original edition but a gift to the Sackners. This book is stored in the Caruso box. -- Source of annotation: Marvin or Ruth Sackner.

Most of the pages depict two columns of cancelled texts by Della Casa. There is a single visual poem by Luciano Caruso and a conventional poem by Stelio Maria Martini in this booklet. This publication was edited by Luciano Caruso. -- Source of annotation: Marvin or Ruth Sackner.

Several of Caruso's textural visual poems are reproduced in this booklet. This publication was edited by Luciano Caruso. -- Source of annotation: Marvin or Ruth Sackner.

This book contains several essays on definitions and aspects of poesia visiva and visual poetry by its contributors. A photographic reproduction of Miccini's collage, 'Viaggio tra le nuvole' (1967), a work held by the Sackner Archive is depicted on page 148 of this exhibition catalogue and the image is depictedaccompanying this record. -- Source of annotation: Marvin or Ruth Sackner.

In this book, Miccini reviews visual and sound poetry in Italy and introduces some newcomers in the field. -- Source of annotation: Marvin or Ruth Sackner.

The name, Le Porte di Sibari, denotes a group of visual poets that were organized by Luciano Caruso in 1990. They are all included in this exhibition that was curated by Caruso. Together with SM Martini, he contributed critical essays to this catalogue published by Belforte Editore Libraio. -- Source of annotation: Marvin or Ruth Sackner.

One of the loose sheets is a reproduction of a letter to Dorflies, another a letter to Martini. The afterword was written by Lora-Totino. -- Source of annotation: Marvin or Ruth Sackner.

This book reviews visual and concrete poetry with calligraphic themes in Italy during the seventies. Its translation into English without the images is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Carrega presents a classification system on the three unbound pages for these "active writings" by Italian visual poets. A fuller description of his system was published as a book with the same title (also held by the Sackner Archive). This anthology is an outstanding contemporary survey of Poesia Visiva. Handcolored additions to the prints, done on varied paper stock and color, were made by Scanavino, Sanesi, Marocco, Pozatti, Carrega, and Finotti. Collaged additions to the prints including b&w photographs, thread, and magazine clippings, were made by De Leonardis, Altamira, Brunetti, Carpi, Castagnotto, Carrega, Oberto, Niccolai, and Izzo. -- Source of annotation: Marvin or Ruth Sackner.