The card is addressed to Linda Depew in Sacramento California. Lewitt thanks her for the Vitamin advice and indicates that he is working on two projects in Italy. -- Source of annotation: Marvin or Ruth Sackner.

The card is addressed to Linda & Wally Depew at Van's Health Foods in Livermore California. LeWitt indicates that he may soon pay them a visit. -- Source of annotation: Marvin or Ruth Sackner.

The card is addressed to Linda & Wally Depew in Cottonwood Arizona. LeWitt requests Depew's music tapes for a second time. -- Source of annotation: Marvin or Ruth Sackner.

The card is addressed to Wally Depew in Cottonwood Arizona. LeWitt thanks him for the Depew's music tapes and indicates that he will trade his drawings for more tapes. -- Source of annotation: Marvin or Ruth Sackner.

The recto depicts Untitled Drawing by Eva Hesse, the verso a handwritten message from Lucy Lippard, the art critic. Lippard discusses a piece by Sol LeWitt that provided to Wally DePew for publication called "Imitation = Homage to Sol LeWitt" but apparently was not published. She states that she doesn't want it to be included into the "Concrete Poetry section of this publication. -- Source of annotation: Marvin or Ruth Sackner.

The card is addressed to Linda & Wally Depew at Van's Health Foods in Livermore California. LeWitt thanks them for the Health Foods sent to him. -- Source of annotation: Marvin or Ruth Sackner.

The card is addressed to Wally & Linda Depew in Livermore California. LeWitt that he is doing wall drawings in Melbourne and Sydney. -- Source of annotation: Marvin or Ruth Sackner.

The card is addressed to Wally & Linda Depew in Santa Fe New Mexico. LeWitt writes that his books arrived at Printed Matter. -- Source of annotation: Marvin or Ruth Sackner.

The card is addressed to Wally & Linda Depew in Yellowstone Wyoming. LeWitt writes he is going to Italy and then to Montreal. -- Source of annotation: Marvin or Ruth Sackner.

The card is addressed to Wally & Linda Depew in Cottonwood Arizona. LeWitt writes about the various places that he has searched for them there (see image). -- Source of annotation: Marvin or Ruth Sackner.

The card is addressed to Wally & Linda Depew in Cottonwood Arizona. LeWitt announces that Carol (his wife) and he are expecting a baby. Mentions that he would like to hear Depew's tapes. -- Source of annotation: Marvin or Ruth Sackner.

The card is addressed to Wally & Linda Depew in Cottonwood Arizona. The verso depicts a stylized castle where Carol and Sol live in Spoleto along with their postal address. -- Source of annotation: Marvin or Ruth Sackner.

This exhbition in 1967 was the first manifestation of the international postwar Avantgarde Art in Germany. -- Source of annotation: Marvin or Ruth Sackner.

The theme of this exhibition by 18 artist participants was the creation of environmental art. -- Source of annotation: Marvin or Ruth Sackner.

The letters of the typings in this exhibition made with an IBM Selectric electrical typewriter were done in lowercase Letter Gothic font. -- Source of annotation: Marvin or Ruth Sackner.

Internet: Masterpieces, the cliche goes, spring fully formed from the dark imaginations of temperamental geniuses moved by intuition, inspiration, and epiphany. Such revelations can certainly fuel the creative process, but so too can auspicious accidents, false starts, or even failures. In printmaking, these occurrences are typically recorded in preliminary impressions known as working proofs. Printmaking thus affords an exceptional opportunity to examine this complex and contingent aspect of the creative process. Yes, No, Maybe looks at sequences of artistic choices by juxtaposing fully resolved prints and related working proofs produced at the influential studio Crown Point Press between 1972 and 2010. This catalogue also provides background information for the proof copies of Tom Phillips Dante's "Inferno" that are held by the Sackner Archive, -- Source of annotation: Marvin or Ruth Sackner.