Scope and Contents This catalogue documents the years 1977 to 1999; the years 1965 to 1976 are documented in an exhibition catalogue at MOMA 1978 (also held by the Sackner Archive). The brochure with this catalogue was printed by the Museum of Contemporary Art, Chicago Illinois. Designed by Sol LeWitt and Bethany Johns. With an exhibition history, bibliography and exhibition checklist. This is the massive catalogue issued in conjunction with a substantive 2000 traveling retrospective organized by the San Francisco Museum of Modern Art of over three hundred pieces by Sol LeWitt - the most comprehensive exhibition of work by the late, great minimal master to date. Beautifully designed by the artist with a selection of his own writings, it includes reproductions of many previously unpublished works as well as essays by Gary Garrels, Martin Friedman, Andrea Miller-Keller, Brenda Richardson, Anne Rorimer, John S. Weber and Adam D. Weinberg. On page 42, it is mentioned that one of the most important...

Scope and Contents

The text by Peter Boswell was adapted from the Los Angeles County Museum of Art exhibition catalogue. The books in the MAM exhibition were all lent by the Sackner Archive and by the Getty in the LACMA exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Exhibition catalogue edited by Alice Legg and published in conjunction with exhibition at MOMA held February 3 - April 4, 1978. Catalogue was designed by LeWitt, and includes essays on LeWitt by Robert Rosenblum, Lucy R. Lippard, and Bernice Rose. Also included are a list of illustrations, a selection of writings by Sol LeWitt, a selected bibliography and list of exhibitions. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Internet: Masterpieces, the cliche goes, spring fully formed from the dark imaginations of temperamental geniuses moved by intuition, inspiration, and epiphany. Such revelations can certainly fuel the creative process, but so too can auspicious accidents, false starts, or even failures. In printmaking, these occurrences are typically recorded in preliminary impressions known as working proofs. Printmaking thus affords an exceptional opportunity to examine this complex and contingent aspect of the creative process. Yes, No, Maybe looks at sequences of artistic choices by juxtaposing fully resolved prints and related working proofs produced at the influential studio Crown Point Press between 1972 and 2010. This catalogue also provides background information for the proof copies of Tom Phillips Dante's "Inferno" that are held by the Sackner Archive, -- Source of annotation: Marvin or Ruth Sackner.