Scope and Contents

This publication is edited by John Herschend and Will Rogan. The glasses case is incised, "Chaldron Optica System." The side arms of the glasses are incribed as follows: "Will you know a chaldron when you see one?" and "With these glasses you will know a true one." A chaldron is described by Lethem in the looses sheet by 12 statements, a few of which are "A chaldron is an impossible object," A chaldron speaks of the possibility of another world," "A chaldron is like an opers pouring from a flea's mouth" and "It is better to have seen and lost a chaldron than never to have seen a chaldron at all." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The text of the pamphlet deals with a bad movie entitiled "Garden State." The text laser etched into the wood block deals with the purchase and cutting of an onion. Kine states in the pamphlet that her object is a cutting board and recommends that the more the board is used, the less the text can be read, and if all goes as planned, "the quieter the ghosts of meals past will become." She also recommends that you first slice an onion on the board that will cause you to cry for as a mental cathartic. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is a homage to an art gallery director in San Francisco. Written at the bottom of the poster, "This is a toast to William Passarelli and the Vibrant Electical Energy of Good Thoughts and All to Our Extended Families Is." The cups are inscribed at the bottom "I WISH YOU WELL." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The text printed on the shower curtain reads in part, "I am your shower curtain and I am watching you. The fat that you can be here under this falling water! This as much as any other reason, is why you are here, why you visit, To enjoy this, To feel this. It is good enough. Iti is good enoughto justify every thing else. As told to Dave Eggers October 2011." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The maple syrup was produced by Mike Czok in Braintree Vermont from the trees that grow around his home.The image on the poster is such a tree.The Thing Quarterly is a periodical in the form of an object. It's like a magazine, except that each isssue is conceived of by a different contributor and then published on a useful object. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The Thing Quarterly is a periodical in the form of an object. It's like a magazine, except that each issue is conceived of by a different contributor and then published as a useful object. -- Source of annotation: Marvin or Ruth Sackner. This issue is also subtitled "The Travel Issue.

Scope and Contents The Thing Quarterly is a periodical in the form of an object. It's like a magazine, except that each issue is conceived of by a different contributor and then published as a useful object. Internet (The Thing): Ben Marcus is the author of the novels THE FLAME ALPHABET and NOTABLE AMERICAN WOMEN and the story collection, THE AGE OF WIRE AND STRING. His new book, LEAVING THE SEA, will be published by Knopf in January of 2014. His writing has appeared in Harper's, The New Yorker, The Paris Review, Granta, The Believer, The New York Times, McSweeney's, Time, Conjunctions, and Tin House. He is the editor of The Anchor Book of New American Short Stories, and the fiction editor of The American Reader. He is the recipient of a Whiting Writers Award, a Creative Capital Award, a National Endowment for the Arts Fellowship in fiction, a literature award from the American Academy of Arts and Letters, and three Pushcart Prizes. He is a 2013 Guggenheim Fellow, and 2013 Berlin Prize Fellow at the...

Scope and Contents

The Thing Quarterly is a periodical in the form of an object. It's like a magazine, except that each issue is conceived of by a different contributor and then published as a useful object. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The Thing Quarterly is a periodical in the form of an object. It's like a magazine, except that each issue is conceived of by a different contributor and then published as a useful object. David Korty (born 1971, California) makes work that explores the everyday objects, scenes, and terrain of his living environment. His distinct geometric visual language takes this quotidian subject matter and pushes it towards abstraction, flattening it into a complex depiction of commonplace geometry. Korty's paintings oscillate between these abstractions and their identifiable subjects. What results is a sophisticated dialogue between the nonobjective and the representational, a way of seeing the surrounding world and reinventing it. Korty earned his B.F.A. from Rhode Island School of Design and his M.F.A. from the University of California, Los Angeles. He has exhibited widely throughout the United States and Europe. -- Source of annotation: Marvin or Ruth Sackner.